The feature interview in this episode is with C.C. Humphreys, an actor, playwright, fight choreographer and novelist. Chris has ten novels that were all traditionally published, several of which have been Globe and Mail Bestsellers and his historic novel “Plague won the Crime Writers of Canada’s Arthur Ellis Award for Best Crime Novel in 2015.
Prior to the interview Mark shares a few personal updates that include being in the Sudbury area to participate in a multi-author event in support of a book launch for his friend Mathew del Papa for his latest book, Capreol at Bat. He also talks about how he has been slipping in the uploading of his #FreeFridayFrights weekly videos to YouTube as well as an update on how the free first in series sales for the Nocturnal Screams series are going on Kobo and iBooks.
Mark then talks about how this podcast’s sponsor, Findaway Voices, has soft-launched a new product called Authors Direct, a platform and app that allows authors the ability to sell their audiobooks directly and keep 70% of the income.
Findaway Voices, the sponsor for this episode, provide all the tools that an independent author or small publisher needs in order to get into the digital audiobook market.
Mark’s store that includes four of his audiobooks is live at . . .
. . . and he shares his excitement for what is likely to prove to be a major and game-changing tool for authors to be successful with audiobooks.
In their conversation, Mark and Chris talk about:
- Chris’s new historical thriller, CHASING THE WIND, about a young woman aviatrix named Roxy Loewen and how Chris fell in love with Roxy as well as historical figures like Amelia Earhart while working on this book
- Writing historical fiction and incorporating real-world figures into the fiction text and honoring who these people were by “fictionalizing real people and realizing fictional ones”
- The difference between writing “modern” historical fiction (1930s) and writing earlier historical periods (such as the 1450s of the 1600s)
- The amount of time and type of research that Chris does when working on a historical novel, including the risk that “research” can be procrastination
- The cedar octagon hut in a luscious forest where Chris does most of his writing (and the back-chat he gets from other authors about this) which is just the right distance from the house
- The changes to the publishing industry that have changed for mid-list authors, which is what led to Chris’s latest novel being a hybrid published book (traditionally published in Canada by Penguin Random House) but indie or self-published by Chris in the US and the rest of the world
- The Creative Academy that Chris learned from before starting on his self-publishing journey
- Chris’s decision to publish the book to Kindle exclusive for the first three months before going wide with it in 2019
- The debate of the $4.99 USD price point Chris struggled with (which is far cheaper than the Canadian traditionally published price), or the US price of his traditionally published book
- The countdown deal that Chris is running this week, the third party services he has used, such as Written Word Media, to help boost the sales and ranking for the title and the great service they provided to ensure that Chris would be pleased with the results of this investment
- The rights Chris still has and has received back for a few of his previously published novels, such as Plague and Fire and the “soft-launch” he is conducting for Plague
- Advice Chris offers to authors on the “performance” involved in doing author readings as well as a reminder that the people in the audience WANT the author to succeed and are there to be entertained and engaged with
- A bit about Chris’s parents, including that his dad was a fighter pilot and his mom was a spy, and his intrigue in the world and the drama that brought them together
- How Chris’s father met famous English playwriter Noel Coward and the very frank letter and writer advice that he wrote back on a manuscript his father sent to him which began with “Dear Peter, be prepared, I’m going to be rather beastly to you.” but ended with amazingly safe advice: “You must read more, you must write much more, and let your characters dictate your plot rather than your plot dictate your characters.”
- How that advice leads to the oscillation between plot and characters that Chris talks about when teaching other writers
- Chris’s favorite advice to share with writers including removing the words “good” and “bad” from the writing of the first draft of a manuscript
Links of Interest
- C C Humphreys
- Chasing The Wind (Amazon US link)
- Plague Book Trailer
- Plague (Amazon US link)
- Chris in AD – Anno Domini: The Gladiator
- The Creative Academy
- Sudbury Star article about Matthew Del Papa’s new book
- Findaway Voices
- Authors Direct
- Written Word Media
- Free Friday Frights
As an actor Chris (C.C.) Humphreys has performed on stages from London’s West End to Hollywood in roles ranging from Hamlet, through Clive Parnell in ‘Coronation Street’, the Immortal Graham Ashe in ‘Highlander’, to the voice of Salem the cat in ‘Sabrina the Teenage Witch’. A playwright, fight choreographer and novelist, he has written ten adult novels including ‘The French Executioner’, runner up for the CWA Steel Dagger for Thrillers; ‘The Jack Absolute Trilogy’; ‘A Place Called Armageddon’; ‘Shakespeare’s Rebel’ and the international bestseller, ‘Vlad – The Last Confession’. He also writes for young adults, with a trilogy called ‘The Runestone Saga’ and ‘The Hunt of the Unicorn’. The sequel, ‘The Hunt of the Dragon’, was published Fall 2016. His recent novel ‘Plague’ won Canada’s Arthur Ellis Award for Best Crime Novel in 2015. The sequel, ‘Fire’ is a thriller set during the Great Fire, published Summer 2016. Both novels spent five weeks in the top ten on 2016’s Globe and Mail and Toronto Star Bestseller lists. His new novel is ‘Chasing the Wind’ about 1930’s aviatrix – and thief! – Roxy Loewen, published in June 2018. He is translated into thirteen languages. In 2015 he earned his Masters in Fine Arts (Creative Writing) from the University of British Columbia.